Doug is a verteran DGA 1st AD who has worked on countless movies. A few of the films that Doug has worked on include Drumline, Mr. 3000, We Own the Night, The Scorcer’s Apprentice, The Beaver, 12 Years a Slave, Tripe 9, Bright, Ad Adstra and the upcoming trilogy Fear Street.
Alex is an author, blogger, speaker, consultant, the host of the #1 filmmaking podcast on iTunes the Indie Film Hustle Podcast, and an award-winning writer/director with 25 years of experience in the film industry. As a director, his films have screened in over 500 international film festivals.
Alex recently released his second book Rise of the Filmtrepreneur® How to Turn Your Indie Film into a Money Making Business.
Rise of the Filmtrepreneur: How to Turn Your Indie Film into a Moneymaking Business – http://www.filmbizbook.com
Indie Film Hustle: http://www.indiefilmhustle.com
Indie Film Hustle TV: http://www.indiefilmhustle.tv
Bulletproof Screenwriting: www.bulletproofscreenwriting.tv
On the Corner of Ego and Desire (Sundance Film): http://www.egoanddesirefilm.com
Shooting for the Mob (Based on the Incredible True Filmmaking Story): http://www.shootingforthemob.com
In this episode we talk with Butch Kaplan about the various roles of producers, hiring practices and maintaining longevity in the film/tv industry
Butch (@butchkaplan on instagram) has been working as a Producer & Production Manager in Film and Television for over 30 years. Some of Butch’s credits include Fear The Walking Dead, John Q, The Notebook, Alpha Dog, Bablyon AD and Oldboy.
Mentioned in the Podcast
In this episode we talk with Matt Compton about budgeting short form content and being strategic about using email as a communication tool.
Matt (@mattcproducer on twitter) has been working as a Producer & Production Manager in Film and Television for over 20 years. He began his career with the independent feature film “Dreamers” in 1999. From there, Matt has served as either a Producer or Production Manager on many other feature films, including “Slip Dream”, “Callback”, “The Hillside Strangler”, “Altered”, “Seventh Moon”, and “Midnight Son”.
In addition to feature films, Matt has also worked on various promos and commercials. His promos include spots for Disney Channel, Disney XD, Toon Disney, Playboy Television, and Animal Planet. He’s also Produced two Public Service Announcements for The Michael J. Fox Parkinson’s Disease Foundation.
For Television, Matt has produced the specials “The Burkittsville 7” for Showtime, “The B.P.R.D. Declassified” for Sony TV/FX, and “Disney Channel’s Cast Party: Andi Mack” for Disney Channel.
Recently Matt developed a budgeting and actualizing app for short form productions called True Budget.
In this episode we talk with Jason Waggenspack about running a studio and making things happen.
Jason is the founder and CEO of Neutral Ground Films and The Ranch Film Studios. He has recently produced “The True Don Quixote” with Tim Blake Nelson and Jacob Batalon as well as “Arceneaux” with Lance Nichols and is currently directing the medicinal cannabis documentary called “Abby’s Joy”. He has played an integral part in landing several major motion pictures to the state of Louisiana for over a decade. He is the Treasure of the Louisiana Film Entertainment Association (LFEA) and is the 2018 Champions Of Tourism Award Winner by the Lt. Governor.
SLOW FILMMAKING MANIFESTO
The main goal is to LIVE the film.
Filmmakers and Actors must commit to LIVING the film.
Shooting must never be rushed.
The sentence “Are we making our days?” must never be mentioned on or near set.
Budgets and schedules should rarely, if ever, be considered.
Locations must be easily attainable for multiple returns to shoot.
Only essential crew must be used for what the instant calls for. No waste!
Regard the instant more important than the whole.
A goal is to take the time and every precaution possible to get every instant correct.
The filmmaker must do all his own sound design and post production.
The film shall be the filmmakers’ secret. The film shall not be promoted or released until the filmmaker is ready.
DOGME 95 MANIFESTO
Shooting must be done on location. Props and sets must not be brought in (if a particular prop is necessary for the story, a location must be chosen where this prop is to be found).
The sound must never be produced apart from the images or vice versa. (Music must not be used unless it occurs where the scene is being shot.)
The camera must be hand-held. Any movement or immobility attainable in the hand is permitted.
The film must be in color. Special lighting is not acceptable. (If there is too little light for exposure the scene must be cut or a single lamp be attached to the camera.)
Optical work and filters are forbidden.
The film must not contain superficial action. (Murders, weapons, etc. must not occur.)
Temporal and geographical alienation are forbidden. (That is to say that the film takes place here and now.)
Genre movies are not acceptable.
The film format must be Academy 35 mm.
The director must not be credited.
Furthermore I swear as a director to refrain from personal taste! I am no longer an artist. I swear to refrain from creating a “work”, as I regard the instant as more important than the whole. My supreme goal is to force the truth out of my characters and settings. I swear to do so by all the means available and at the cost of any good taste and any aesthetic considerations.
Thus I make my VOW OF CHASTITY.
Copenhagen, Monday 13 March 1995
On behalf of DOGMA 95
Lars von Trier Thomas Vinterberg
Links Mentioned in this podcast
Dillard University – Dillard University is a private, historically black, liberal arts university in New Orleans, Louisiana, United States.
Asana – Collaborative Organizational Communication
Filmic Pro – Aspect Ratio / Filmic look for the iPhone
Celtx – Collaborative Screenwriting App
Studio Binder – Film Production Management
Apps mentioned in the podcast
Books Mentioned in the podcast
Dale is a Location Scout and Manager in the Los Angeles Studio Zone and all of Southern California.
His Specialties include Union and NonUnion Location Scouting, Management, Hard to Find Locations, Houses, Offices, Buildings, Schools, Suburban or Urban Locations, Streets, Freeways, Americana and all other locations you can imagine!
Dale has worked on numerous movies, tv shows and commercials. Some of the projects Dale has worked on include Bright, Grace Unplugged, East Los Angeles, Its Always Sunny in Philadelphia, 24, Curb Your Enthusiasm and countless others…
Please check out Dale’s website https://www.socalscout.com
Apps and Sites mentioned in the podcast:
Lightroom by Adobe: https://www.adobe.com/products/photoshop-lightroom.html?promoid=759X6WJP&mv=other
Solocator: Compass for the iPhone: https://solocator.com/
Scheduling and Budgeting Software: Jungle Software/Gorilla : https://www.junglesoftware.com/products/gorilla_bud_home.php
Teamsters Local 399 Hollywood: https://www.ht399.org/
Daylite by Marketcircle: CRM on Mac Database Software: https://www.marketcircle.com/why-daylite
Database for Information, Dual Platform: Filemaker Pro: https://www.filemaker.com/products/
Permit Service: PPS: https://lafilmpermits.com/
Permit Service: FilmTHIS: http://www.filmthis.net/film-permits/
FimLA Permitting: https://www.filmla.com/for-filmmakers/
Standing Sets: DC Stages: http://www.dcstages.com/
California Film Commission: CA State Permits: http://film.ca.gov/
In this episode we talk with 1st Assistant Director Chris Castaldi.
Chris is a graduate of UCLA with a bachelors in economics and emphasis in film started out in the film world as a Production Assistant and went on to work as a 2nd AD, 1st AD and is currently working in a producing capacity at Joe Roth’s Film. Some of Chris’s credits include Avengers Endgame, Avengers Infinity War, Iron Man 1 and 2, Pirates of the Caribbean: Dead Men Tell No Tales, Jurassic World, Tomorrowland, Pain & Gain, The Bourne Legacy, Mission Impossible – Ghost Protocol and more….